Workshop on Sun.29.May

SHODO Calligraphy Workshop
in Bad Säckingen, Germany on Sunday, 29.MAY.2016

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Theme :  ” The lime green hill “ 新緑の丘

Experience in Japanese calligraphy is not necessary. Each participant for the beginners to advanced level can discover and experience the essence of Shodo the art of Japanese calligraphy.
The Participants can learn to focuses on bringing the balance of mind and body together as well as a one’s individual mindfulness process by specially designed practices. So students can learn little by little how to concentrate on their own Qi flow, conduct and apply it with brush and ink onto the paper.

 

♧ Teacher: Rie Takeda

♧ Date: Sunday, 29.MAY.2016

♧ Time: 16:00 to 19:00 (with a tea break)

♧ Fee: 18,-Euro (Student: 15,-Euro) per afternoon

♧ Materials and Texts: all inclusive and prepared
♧ Maximal: 12 Personen

♧ Beginner to Advanced level
♧ Language: German, English or Japanese
♧ Place: Haus Fischerzunft, Fischergasse 12, 79713, Bad Säckingen * see the map below↓

♧ Please sign up for a workshop place under info@djg-nagai-saeckingen.de
or Tel.07761-55 38 502

♧ Rie Takeda’s calligraphy Web : www.shodokalligraphie.com
Neo-Japonism Web  : www.neo-japonism.com

♧ Rie Takeda’s concept of teaching SHODO calligraphy is focused on:

  • mind and body connection
  • discovering individual inner quality and peace
  • “hands-on” guidance
  • inner balance
  • “Here and Now” momentum flow
  • mindfulness process
  • de-stressing the body tension
  • conscious breathing
  • raising Qi(energy) flow and awareness

Planed workshops on Sundays 2016 :
19.June
10.July
18.September
09.October
20.November

♧Please sign up for the workshop under info@djg-nagai-saeckingen.de 

or Tel 07761-55 38 502
Organized and sponsored by Deutsch-Japanische Gesellschaft Freundeskreis Nagai
www.djg-nagai-saeckingen.de
MAP
Fischergasse 12, 79713, Bad Säckingen
 

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©RIE  TAKEDA school of shodo
shodokurs@gmx.de

OTEHON Text: Three Styles

It is still chilly outside and we had some snow this morning!
The Sakura is just coming to us soon… but shall we finish this cold wind off with the three Shotai-practice?!

This is the text to practise 3 calligraphy styles and learn about the style development of the Kanji characters.
I would recommend it is suitable for colder seasons.
It is great for the advanced learners.
For the upper-intermediate students, please practise only two styles: Kaisho and Gyosho. You can use a medium sized brush as well as a bigger one.
Please always start to practise from the Kaisho, Gyosho and to the Sousho.

Harder haired brush is suitable.
Papers : a whole Hanshi or a half sized Hanshi
Time: please take 30min-40 min longer than usual Text


 

“SEI SOU SHIZUKANI SHO WO HIMOTOKU”

晴窓 静かに 書を 繙く

(せいそう しずかに しょを ひもとく)

訳>晴るき明るき窓の下に心静かに読書する

Reading the pages

Quietly peacefully

At the sunny bright window

 

 

晴窓静繙書せいそうしずかにしょをひもとくweb

*From the left: Sosho-Gyosho-Kaisho

 

Happy Practice!!

Arigato.

Rie stamp

Practice : How can I make the Sumi ink?!

” To rub the ink ”

For private lessons, I normally prepare the ink maybe 60% dark black.
And I let students rub the ink and darken the rest 40% by themselves.
Because I found it is essential minutes for them to ” arrive ” to the lesson and
” leave ” their daily life and thoughts behind.

Firstly you find yourself sitting in a comfortable position on the floor or chair.
As long as your shoulders to arms and neck area are totally relaxed —( no tense unnatural pressure found please) and belly button area is free and open-you can sit however you like.

I normally sit on SEIZA ( to sit with feet folding), my students sit in various ways like on Seizas,
on the meditation bench, on the meditation cushion or in lotus sitting.
Please make sure that the table height is right for your back, shoulders and belly button area.

sumiwosuru

You pour some water into the BOKUCHI ( Ink stone’s well)
And start to rub the ink stick onto the surface called BOKUDOU ( ink stone’s temple or hill).
Ink stick should ideally be ground in circular movements.
And keep moving the Ink at an angle of 45°
You are not putting any pressure anywhere.

As you keep lightly rubbing the Ink, always make sure your shoulder is low and relaxed.
And try to slow your breathing down and deeper.
I often recommend students to “breathe in” as the ink goes down to Ink stone’s well
and “breathe out” as it comes up to the ink stone’s temple.
Like this it is easier for beginners to find a breathing rhythm and come to the non-thought-mind.

As you continue this process slowly and lightly- your thoughts are getting far away and your sense of concentration are being sharpened.

I know it is not easy to be in non-thought mind
but as you practise more you notice your mindfulness is more present.
Slowly but surely….

Shodo Index : MIGI HARAI 右払い

MIGI HARAI – 右払い – Brush out ( Right)

This is one of the essential Shodo techniques – requires a Hands-On teaching with your teacher.I would recommend to practise this “right-brush out technique” after you feel comfortable with “left brush out technique”. They are more advanced and need more practice!

1. Nami-hou 波法

2.Taira-harai 平払い

右払いweb

First one practises No.1 and then moves on to No.2.
Please get supervised by a calligraphy teacher.
How to” will be added later!

How to hold the brush?!

〜 The way of holding the brush   〜

So now you set and position all the necessary tools.
And find the very light and comfortable position for your body and mind.
You can sit on the floor with the SEIZA -legs folding or
with the meditation cushion or -bench.
You can also find a good posture on the chair at the table.

Always be aware of the central point and the line of your body- called HARA, that is where our main Ki-energy flows. And try to imagine that the middle of your head is hanging from the sky, so your back bones are loose and light -comfortably set.

You prepared the SUMI ink and paper.
You prepared yourself through light breathing.
You have no tension at all around the shoulders or neck,
your elbows and hands are light and relaxed.

Are you ready to concentrate, but relaxed?!

筆のもち方5

Hold the brush really light with mainly three fingers,
the remaining fingers are set free to keep the weight balance.
And the holding point is slightly higher than the 50/50 line of the brush.
The brush always stays straight just like your back posture.
The best angle for the hand to hold the brush is about an angle of 45 degrees.
Also the positioned hand to the wrist and to the elbow stays as one line, no twist or bending.

筆のもち方3

The three fingers form an oval shaped gap. You always keep this gap between the brush and hand palm by holding the brush very light as if there is an egg in between.

And remember- your shoulder area is loosened.

筆のもち方2jpg

As you hold the brush, put no pressure from neither hand nor shoulder,- just nicely light.

And imagine that the brush also has a central vertical line in the middle
– so you are actually holding this vertical Hara line of the brush.
This photo shows you the image directly from the above.

筆のもち方

Yes, it looks simple.
However it may take some time to learn the proper way of holding the brush because of your habit of writing and using the pens with quite lot of pressure on the shoulders.
We just need to get used to this way of holding.

The tip is :
The brush always stays straight – so does your body line.
………. and let us remind ourselves of loosening the body and relax.

*
arigato

SHODO & ME

“SHO” is Peace

Calligraphy is to lead you to peace and harmony

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Welcome to School of SHODO!

書は 和なり – SHO wa Wa nari “ (an old Japanese proverb above)
This is always my principal motto for learning and teaching SHODO,
the way of Japanese calligraphy.
It was the essence which kept me doing Shodo,
and fascinated me all the way and still does now.Even as a 5 year old child, I felt amazingly transparent and harmonious
yet free each time I was doing calligraphy, no matter which state of mind I was. And then I found out that the more I concentrated,
the better the brush flowed, and I became more peaceful.
This is for me the most sensational aspect of SHODO learning.
I try to bring across this essence to every student of mine and at every session remind them of it.

Nowadays we tend to see only the results or the pure technical elevation and materialistic rewards.
However – every process and stage of learning Shodo is to be your treasure and a sense of deep peace in you is much more valuable.

It’s been already more than 30+ years since I got familiar with brush and ink and attached to SHODO.
The more I get to know about SHODO, the deeper attraction I find in the world of calligraphy.

I feel grateful that I do spend my time and energy in the world of SHO which has such a rich and long history giving endless possibilities to discover peace and harmony in myself and outside the world.

I would like to show the essential ways of enjoying and learning the SHODO
which I have studied and developed from my experience as a calligraphy teacher and as an artist over the years.

And I really wish that the harmonious circle of people who enjoy the richness of SHODO expand more and more- both in Japan and all over the world.

Have a moment of inner peace with a cup of tea!

Arigato,

Rie Takeda

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 See the web site : www.shodocalligraphy.com

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©RIE  TAKEDA school of shodo
shodokurs@gmx.de
www.shodocalligraphy.com

San-Sho-Tai – 三書体

SAN-TAI-JI 三体字 / SAN-SHO-TAI 三書体 – 3 BASIC CALLIGRAPHY STYLES

They are three basic calligraphy styles which commonly used and practiced :

KAISHO 楷書- Block style (regular script / standard script)

GYOUSHO 行書- Semi cursive style

SOUSHO 草書- Cursive style

黄鳥話春深

         Sousho                Gyousho                   Kaisho


About the text

黄鳥 春を 話すること 深し

kouchou haru wo wasurukoto fukashi

Meaning:

鶯は窓外で終日呟いている

Bush warbler (Uguisu)has been singing all day outside the window.

What is Shodo?!

SHODO is,